ATOMOS Shogun Connect
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Il primo dispositivo all-in-one per il monitoraggio HDR, la registrazione RAW e la connessione con il mondo.
SHOGUN CONNECT si basa sulla rivoluzionaria linea di prodotti SHOGUN.
Dotato di uno schermo più luminoso e di molteplici opzioni di registrazione, SHOGUN CONNECT è il primo prodotto completamente integrato della gamma CONNECT. Combina monitoraggio HDR, registrazione RAW e flussi di lavoro cloud.
SHOGUN CONNECT è dotato di un'interfaccia loop through 12G SDI IN e OUT con supporto SDI RAW incluso e invia un segnale a più dispositivi. Tecnologia ATOMOS AirGlu per la sincronizzazione wireless del codice temporale che consente la comunicazione diretta a lungo raggio tra i dispositivi, più opzioni di alimentazione per adattarsi a una varietà di scenari a lungo raggio sul set, oltre a Wi-Fi 6, Gigabit Ethernet, Bluetooth LE e USB C per garantire connettività flessibile e completa.
SHOGUN CONNECT trasforma le fotocamere professionali per cinema, mirrorless e DSLR in dispositivi completamente connessi che supportano una gamma di flussi di lavoro avanzati basati su cloud.
| Physical Specifications | |
|---|---|
| Dimensions (W x H x D mm) | 198mm / 7.8" x 133mm / 5.2" x 40mm / 1.57" |
| Weight | 730g / 1.6 lbs |
| Mount points | Top: 1 x 1/4"20 or 3/8" with anti rotational points, Bottom: 1 x 1/4"20 or 3/8" with anti rotational points, Right: 1 x 1/4"20 or 3/8" with anti rotational points |
| Environmental | |
| Ambient operating temperature | Up to 40 Degrees Celsius |
| Construction and Control | |
| Body | Aluminium alloy chassis with ABS Polycarbonate back plate |
| Cooling | Actively controlled fan and heat sink |
| Tally light | Yes |
| Touch Screen | Yes |
| On Unit Buttons | Power button - multi function |
| Camera Control | Remote to USB – Z CAM |
| Power | |
| Input voltage | 6.2 - 16.8v |
| Compatible batteries | 1 x NP-F / L-Series |
| DC in connector | Locking DC Jack (5.5mm OD & 2.1mm ID) |
| Dtap | Via optional D-Tap to DC cable |
| Power On Function | Button On/Off, SW Off |
| Fan Control | Record priority modes / Display dim |
| Display | |
| Touchscreen | SuperAtom IPS panel (capacitive touch) |
| Size | 7" |
| Resolution | 1920 x 1200 |
| Viewing angle | 178 + H & V |
| PPI | 325 |
| Bit depth | 10-Bit (8+2 FRC) |
| Backlight Type | Edge lit |
| Brightness (cdm2 / nits) | 2000nit +/- 10% |
| Aspect ratio | 16:9 Image Display |
| Color Gamut | Rec709 |
| Calibration support | ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus |
| Color Pipeline | |
| Gamma | Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log, Z CAM Z-Log2, Olympus OM-Log400 / Flat, Leica L-Log |
| Gamut | BT2020, DCI P3, PDCI P3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| 3D LUT Display | .Cube Format |
| 3D LUT Output | Loop out |
| 3DLUT 50/50 | Yes |
| Monitoring Modes | Native / 709 / HLG / PQ / 3D LUT |
| HDR output Conversion | HLG / PQ |
| Color Management | |
| Calibration | ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus |
| Display Controls | Backlight, Lift, Gamma, Gain |
| AtomHDR | Built in Technical Log to HDR EOTF |
| 3D LUTs | Display, monitor and output, Record, Load via SSD |
| Legalize | Full to Legal conversion available on Input |
| Video Input | |
| HDMI | 1 x HDMI 2.0 |
| SDI | 1 x 12G SDI |
| Bit Depth | 8 / 10 bit |
| Video Chroma Subsampling | YCbCr 420 & 422 |
| HDR | Yes with HDMI Auto detection |
| Metadata | |
| HDMI | RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut |
| SDI | File Name from Arri, RED. RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut |
| File Naming | |
| Standard | S/S/T & Rolling |
| Via SDI | Red, Arri |
| Video Output | |
| HDMI | 1 x HDMI 2.0 |
| SDI loop out | 1 x 12G SDI |
| SDI Play out | 1 x 12G SDI |
| HDR | Yes with Auto detection |
| Network | |
| Ethernet | 1GbE RJ45 |
| Wi-fi | Wi-Fi 6 |
| Wireless RF | AirGlu™ SYNC Time code Network |
| Atomos Cloud | Capture to Cloud, Live Stream |
| Cellular | Connect to Hot Spot via Wi-Fi |
| Web Streaming | |
| RTMP / S | Yes, Destination configured via Atomos Cloud Studio |
| Video Signal Conversion | |
| HDMI to SDI | Yes |
| SDI to HDMI | Yes |
| Audio In/Out | |
| Audio Quality | 24-Bit / 48kHz |
| Audio Codec | PCM |
| HDMI | 8ch 24Bit, input dependent |
| SDI | 12ch 24Bit, input dependent |
| Analogue Audio in | 3.5mm Jack - 5v power |
| Analogue Audio Out | 3.5mm Jack |
| Headphone out | 3.5mm Jack |
| Audio input delay | Frame delay on analogue input |
| Timecode / Sync | |
| Embedded | HDMI and SDI |
| Time of day | Yes |
| Wireless SYNC | AirGlu™ SYNC Time code Network |
| RF Network range | 300m |
| RF Frequency | Region dependant |
| Number of Channels | 12 RF Channels per Region |
| Number of RF clients | Region dependant |
| Bluetooth Network Range | 10-15m (line of sight) |
| Number of BT clients | 6 clients |
| Resolution and Frame Rates (Record, Monitor & Playback) | |
| 4k DCI | up to 4Kp60 |
| 4k UHD | up to 4Kp60 |
| 2K DCI 2046 x 1080 | up to 2Kp60 |
| FHD 1920 x 1080 Progressive | up to 1080p120 |
| FHD 1920 x 1080 PsF | only via Pull down to P |
| FHD 1920 x 1080 Interlaced | 1080i50 / 1080i60 |
| 1280 x 720p | 60p |
| 8K RAW | up to 8Kp30 Via HDMI |
| 6K RAW | up to 6Kp60 Via HDMI & 6Kp30 SDI |
| 4K RAW | up to 4Kp120 via HDMI / SDI |
| 3.5K Anamorphic RAW | up to 3.5Kp60 via HDMI |
| 2K RAW | up to 2Kp240 via SDI |
| Recording CODEC | |
| Apple ProRes RAW | up to 12bit 8Kp30 / 4Kp120 |
| Apple ProRes | HQ / 422 / LT up to 4Kp60 |
| Avid DNxHD | up to 1080p60 |
| Avid DNxHR | up to 4Kp60 |
| H.265 | up to 4Kp60 (MOV container) |
| Camera to Cloud | Support from Adobe Frame.io |
| Gang Control | SYNC record control across devices |
| Playback | |
| Playlist | Yes, Selected, Favourites or Combined |
| Apple ProRes Raw | Yes, recorded clips |
| Apple ProRes | HQ / 422 / LT with linear PCM |
| Avid DNx | Yes with linear PCM |
| H.265 | Recorded clips only |
| Monitoring | |
| SDR | Native ,709, LUT |
| HDR | HLG, PQ Rec2020 |
| De-Interlace | Selectable mode |
| Freeze Frame Overlay | Optional Activation |
| Recording functions | |
| Pre-roll record | 8 secs HD / 4 secs 4K ProRes & DNx |
| Timelapse | Yes |
| Simultaneous proxy record | ProRes RAW / ProRes / DNx with H.265 proxy |
| Supported media | |
| Master Caddy I | No |
| SSDmini | Yes |
| CFast II | Yes via AtomX CFast Adapter |
| Network | Capture to Cloud via Atomos Cloud Studio |
| File System | exFAT |
| Interface | SATA 3 |
| Master Caddy III | Yes |
| On screen tools | |
| Waveform | 3 sizes |
| RGB parade | 3 sizes |
| Vector scope | Small / large |
| 1 x Zoom | Tap to zoom |
| 2 x Zoom | Tap to zoom |
| Focus peaking | Colour and slider for threshold |
| False colour | With IRE scale |
| Zebra | Customisable |
| Isolate color channel | Blue only |
| Cine Frame Guides | Preset and Custom |
| Social Frame guides | Preset and Custom |
| Safe areas | SMPTE frame size – Action and Safe |
| Grid markers | 9 grid |
| Anamorphic desqueeze | Display 1.25x, 1.33x, 1.5x, 1.8x and 2x |
| Display Flip | Vertical |
| False Color | With IRE scale |
| Frame Grab and Onion Skin Overlay | Lossless PNG 1920 x 1080 |
| Onboard Signal Processing | |
| 4K UHD Downscale for HD | Available On loop out |
| DCI Crop | Available On loop out |
| 8K RAW to 4K Video Loop Out | Available On loop out |
| I > P | 2:2 and 3:2 |
| PSF > P | 2:2 and 3:2 |
| Optional Activation Keys | |
| SDI RAW | Included Activation |
| H.265 | Included Activation |
| Remote control | |
| HDMI | Auto HDMI Trigger, Supported Protocols - Canon, Sony, Atomos Open Standard |
| SDI | SDI trigger camera selectable |
| Serial 2.5mm Jack | LANC control and calibration via optional USB to serial cable |
| Bluetooth LE | Via AtomControl App for Monitor Assist Tools |
| Wireless RF | AirGlu™ Remote start stop trigger |
| External Device Control | |
| Serial 2.5mm Jack | Remote to USB – Z CAM |
| Cut & Tag | |
| FCP XML | Yes, with 10 tags |
| Supported Applications | |
| XML | Apple Final Cut Pro |
| Apple ProRes RAW | Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH |
| Video Codecs | All NLE applications that support Apple ProRes, Avid DNx and H.265 in .MOV wrapper |
| What’s in the box | |
| Accessories included | SHOGUN CONNECT, International Power supply, 7" protective Pouch, AtomX SSDmini Handle, MasterCaddy III with screws, Wifi Antenna with Black caps, RF antenna, Antenna storage Pouch, 3.5mm audio jack to jack cable, Antenna coloured caps, Antenna mount covers, Screen Cloth |
| Optional extras | AtomX Monitor Mount, AtomX Magic arm 10" / 13", USB-C Dock, PowerKit, HDMI cables |
| Warranty | |
| Standard | 1 Year |
| Extended | 3 Years |
| Target use / User | |
| Mirrorless Cameras | Yes |
| Compact Cinema | Yes |
| Cinema | Yes |
| Director Monitor | Yes |
| Games Capture | Yes |
| Streaming | Yes |
| DIT/Video Village | Yes |
| Pro Video | Yes |
| Gimbal/Crane | Yes |
| Wedding | Yes |
